shoomlah
shoomlah:

My steampunk Sailor Uranus (that’s Admiral Tenoh, thankyouverymuch) for Moon Crisis: A Sailor Moon Tribute Show down in Anaheim, CA!
I love the idea of doing customized/unique uniforms for each of the senshi, especially if it means I get to put Haruka in a more tailored/militaristic getup.  I have designs sitting around for the rest of the senshi, but… but let’s be honest.  I’m lucky I finished one design in time for this show. :P
-C

shoomlah:

My steampunk Sailor Uranus (that’s Admiral Tenoh, thankyouverymuch) for Moon Crisis: A Sailor Moon Tribute Show down in Anaheim, CA!

I love the idea of doing customized/unique uniforms for each of the senshi, especially if it means I get to put Haruka in a more tailored/militaristic getup.  I have designs sitting around for the rest of the senshi, but… but let’s be honest.  I’m lucky I finished one design in time for this show. :P

-C

wincenworks
medievalpoc:

gryblogs:

quietlyloud-intersex:

treeofcolor:

eurotrottest:

admiral-yousmator:

You know what really gets to me, and I’m sure many know this, is the blatant abuse and betrayal that white photogs display in POC countries. Every time a photo has gotten famous like this photo did in history, the actual focus of the photo is left behind in the dust while the white photog is hailed as a hero for displaying the ills of that country. He didn’t even fucking ask her name. He didn’t ask for 17 years. The world knew nothing about her life and her story. He captured one moment that made him famous and she got nothing.
Every time I see this photo, I seethe.

interesting perspective

whats her name though

^^^

HER NAME IS SHARBAT GULA

When I speak about forms of colonialist violence and how it shapes the way we communicate, I hope that seeing this photograph with the above commentary included helps people understand what I mean.
This is how a person becomes reduced to an idea, an image, an accomplishment for someone else. She becomes “Afghan Girl”: a two-dimensional example meant to represent something over which she has no control. Was she ever paid for this photograph, or the second one above? 

No.
Why does Steve McCurry speak for her? Why does he control the conversation, why does he control what we can know about her? Where is her voice?
Who is Sharbat Gula?

medievalpoc:

gryblogs:

quietlyloud-intersex:

treeofcolor:

eurotrottest:

admiral-yousmator:

You know what really gets to me, and I’m sure many know this, is the blatant abuse and betrayal that white photogs display in POC countries. Every time a photo has gotten famous like this photo did in history, the actual focus of the photo is left behind in the dust while the white photog is hailed as a hero for displaying the ills of that country. He didn’t even fucking ask her name. He didn’t ask for 17 years. The world knew nothing about her life and her story. He captured one moment that made him famous and she got nothing.

Every time I see this photo, I seethe.

interesting perspective

whats her name though

^^^

HER NAME IS SHARBAT GULA

When I speak about forms of colonialist violence and how it shapes the way we communicate, I hope that seeing this photograph with the above commentary included helps people understand what I mean.

This is how a person becomes reduced to an idea, an image, an accomplishment for someone else. She becomes “Afghan Girl”: a two-dimensional example meant to represent something over which she has no control. Was she ever paid for this photograph, or the second one above?

image

No.

Why does Steve McCurry speak for her? Why does he control the conversation, why does he control what we can know about her? Where is her voice?

Who is Sharbat Gula?

art-of-swords

art-of-swords:

Engraved and Gilt Partisan

  • Dating: late 17th century
  • Culture: European
  • Measurements: height 190.5 cm

The weapon has an iron head with a large, straight-edged cusp-blade, ribbed at the centre, with wings, tapering socket provided with rings at both edges, while the upper one is smooth with three rings.

The surface of the lower half of the blade blade, from its half to the socket, is decorated with engravings and remains of gilding; featuring symmetric effigies of flowers, grotesque masks and spirals, on dotted ground.

The wings are shaped and engraved as exotic birds and snakes, the socket decorated with floral bands. Antique, wooden haft of circular section, comes with longitudinal, fluted decorations alternated to rows of brass studs.

Source: Copyright © 2014 Czerny’s International Auction House S.R.L.